It seems like comedy has more to do with putting yourself out there completely than anything else. If it’s not funny then it’s not funny, likewise for being overly offensive or dated, but if the comedy is non-committal than everything else will fall short anyway. With his latest direction, Funny People, Judd Apatow exercises this notion possibly to a fault. The director throws everything he’s got into his third feature film, an exercise made more strenuous by the looming uncertainty of what this film is…Comedy? Drama? Both? Neither? B-Movie Sex Horror? No…no, it’s not that.
Tag Archives: Adam Sandler
It’s always seemed that my parent’s generation has a tendency to think of Adam Sandler as a comedy buffoon. In the early years he made a name as a high-energy goofball and the loudest guy in the room. Both Billy Madison and Happy Gilmore follow this blueprint with an excess of voices and slapstick and dirty jokes. His newer films feel pretty much the same, just a little older, a little less energy. It works for him, and perhaps because it’s something I grew up with I’ve never had a problem with it. On the other hand, there’s nothing fresh about Adam Sandler’s comedy. As much as you’re laughing, you’re never remarking on its quality, never aware of any polish. And while there certainly are notable titles in Sandler’s comedic filmography, You Don’t Mess With the Zohan is definitively NOT one of them.