When Toy Story came out in 1995, it shocked people. Pixar’s style was entirely unprecedented, and understandably became the chief talking point, but no one could deny the quality of writing and storytelling behind the flagship film. At its heart, Toy Story is a film about nostalgia and childhood, a musing younger generations seem more and more intent on indulging. The Muppets isn’t as tied up in the more general existentialisms of growing up as Pixar’s debut, as it is so obsessed with the Muppet canon, but it is nonetheless the best film about nostalgia since Toy Story. Writer and Star Jason Segel hasn’t made a movie so much about how wonderful the Muppets are, as a film about how wonderful the Muppets are to him, and by proxy, his audience. And this is not a minor distinction. Making a film from the heart and not the head, at least in this case, makes all the difference in the world.
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