When you look at the scope of the Marvel Universe in regards to the films released in the last decade, it’s all a bit of a mess. There’s no shortage of disjointed timelines, relationships and character arcs, and to top if all off, Marvel productions seem perfectly content taking massive liberties with their own mythology. It’s not a deal-breaker, for me or apparently for most, as X-Men: First Class stole it’s opening weekend, but the discordance isn’t so minor as to be invisible; a fact made even clearer when trying to reconcile the 1960s version of Magneto with his significantly more haggard 2000s self. Despite all that, Director Matthew Vaughn has put his own spin on an X-Men tale, and in the process made a film that, at the very least, stands with the best of the franchise.
Peter Wertz
Wertz of Wisdom 
