If you were to name the five chief motivations for making a film, it seems inevitable that “showing people the formerly unseen” would be in the mix. And with the profusion of new technology in film, this desire to create from imagination tends to result in pure fantasy; characters and places that are, for all intents and purposes, impossible. Not that I’m complaining. This trend has led to a golden era of fantasy film, and a collection of worlds most of us would give a kidney to visit. What have been neglected are the films intent on revealing not just the astonishing, but the astonishingly real. Gravity is one. It endeavors to show us a world that exists a hundred miles straight up, where you and I will never go. A world where our textbook understanding means little, and death and beauty are braided together, indistinguishably linked.
Tag Archives: Sandra Bullock
There should be a list somewhere of books that should never be adapted to film. While plenty of literature can make the leap from page to screen without much or any alteration, far more often a book is a book for a reason. Because while a book allows you to reach an emotional conclusion on your own, a movie forces you towards one. Which is unquestionably the case with Jonathan Safran Foer‘s 2005 novel; a narrative that, at a glance, is vibrant in the same way as a Little Miss Sunshine, with a host of quirky characters and a comical, yet emotionally-resonant tone. In a host of other ways however, Extremely Loud & Incredibly Close is a story far more inclined towards the written word than the big screen, and has pulled an Oscar nomination mostly on the weight of its dramatically moving and frustratingly manipulative approach.