It’s not really possible to judge The Amazing Spider-Man on its own merits. That would be nice, but anybody older than 15 who sees Director Marc Webb‘s reboot must have also seen the original trilogy, which turns this all into a game of comparisons. And by comparison, Webb’s Amazing Spider-Man is mostly superior to Sam Raimi’s original film. How could it not be? In addition to having essentially none of the hurdles that Raimi dealt with, Marc Webb had the luxury of making a superhero flick in a post-Dark Knight world (more on this later). Past that, both fans and technology are more advanced then they were a decade ago, and the film that wowed us in 2002 simply hasn’t aged well. So, fine, Webb’s Webslinger wins, but does this victory deserve an asterisk? Depends on how you look at it.
Tag Archives: Emma Stone
There are very few people anymore who can claim authentic, first hand knowledge of the Civil Rights movement. In the same way that I wouldn’t pretend to possess any particular insight into the fall of the Berlin Wall, having been alive during the 60s doesn’t grant you special insight into the race struggle. The only people who can really say that they were a part of things weren’t just alive in the 60s, but were decision-making adults with the self-awareness to adopt a position on one side or the other, and their numbers are dwindling. Which must explain why The Help, a film that simplifies and exploits one of this country’s most strained periods, and does so with broad, stereotypical character types and exchanges, has been nominated for Best Picture. Or it could just be that Viola Davis can make anybody like anything.