You know what the worst part about having to write this review is? It’s that I was fully prepared to enjoy Green Lantern, despite the problems I was certain would be present. Any reviewer who tells you they approach every movie in the same way is lying, and movies like this one-movies with the clear intention of selling popcorn and building franchises-don’t come with high expectations. Which is why about two minutes into the film I found myself, not just annoyed that I spent eleven bucks on a ticket to a crap movie, but incensed at the abysmal execution of this big, green mess. Nearly every last choice made in Green Lantern is a bad one, and even aside from the technical stumbling, the film just isn’t much fun. No, “Director” Martin Campbell has done nothing here worth any praise. Certainly the effects work is good, but I’m giving the computer geeks credit for that.
Tag Archives: Geoffrey Rush
It seems that “Based on a True Story” is a qualifier used more and more these days. This year alone contains the films 127 Hours, The Fighter, and The Social Network, which are all “based on…” to varying degrees. It’s logical that dramatic reality is more compelling than dramatic fiction, and regardless of how truthfully one’s film follows that reality, people are going to respond to it. The problem then comes when a filmmaker takes advantage of this fact and tells us a story that isn’t entirely worth telling, or a story more intriguing on paper than the screen. It’s not black and white either, with films like The Social Network telling first-rate tales but taking huge liberties in order to do so. Luckily, there are films like The King’s Speech, which don’t require any embroidery to astound us. Films that have found the perfect historical confluence of event and characters and themes. It’s the rarity of films like this that makes them so special, but in the case of The King’s Speech it’s also the quality of the yarn. It is surely one of the best stories you’ve never heard.