Setting a film in the future is tricky. You can have fun with it and create eye-popping visuals unconcerned with authenticity, or you can try to build a convincing projection of the world we live in now. What you should avoid is landing somewhere in the middle, as Neill Blomkamp has in Elysium. Certainly pieces of Elysium‘s world feel possible, like the disconcertingly ubiquitous biotechnology; some of it even probable, like the bastardized mélange of languages or the lack of paying work in an overpopulated world. But between the magical healing tubes, the utterly structureless society, and the absurd lack of humanity in damn near every character, Blomkamp’s follow-up to 2009’s slick District 9 spends far too much of its screen time asking you to meet it halfway.
Tag Archives: Sharlto Copley
I never watched the show. Mr. T was the only aspect that seemed at all intriguing, and he just wasn’t enough to pull me. And the chafing part of watching The A-Team in theaters is how much of a problem that became. Without an understanding, without an awareness of the minor characters and the relationships and the dated sense of humor, this film becomes work. There’s an ever-present potential for reference, which means the under prepared viewer is never able to settle down and simply have an experience. An experience which, besides it’s desperate obligation to the source, is mostly scrambled and frenetic. Like most of the summer movies you’ve ever seen, the first priority of The A-Team is to bombard you with action. I’m not sure what it is about these productions that precludes the possibility of spectacular action AND an enjoyable story. Certainly it’s not as though we’ve never seen it before (A couple Mission Impossible movies, a few James Bond‘s, the Bourne flicks, etc.), but whatever the logic, The A-Team is definitively just one piece of the pie, ghosting everything else and smirking, as it inevitably and perhaps appropriately, makes stupid amounts of money.