There is a great Superman film out there somewhere. There’s nothing inherently challenging about telling this story, other than the powerful ownership so many fans have over it. And I suppose there’s an argument that Zack Snyder has gotten closer to it than anyone else; Man of Steel paints its main character’s neurosis and isolation in wide swaths, and these elements are necessary for any modern rehash. But, as is often the case with mega, ultra, super blockbusters, they’ve put the horse before the cart with this latest iteration of the world’s first superhero, building a flashy skyscraper on the rickety foundation of a David S. Goyer-penned screenplay.
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