Darren Aronofsky has always felt a bit like America’s Lars von Trier — a brilliant misanthropic visionary, a storyteller whose wry approach often hits closer to home than we’d like. Aronofsky is more of a romantic than von Trier, but the emotional depths to which both men often insist on traveling feel kindred. And the results tend to share a gloom that distinguishes them from their peers. While Noah begins as an immense action epic, it ends in much more familiar territory for Aronofsky: Tense, probing character drama dealing with the lengths to which an obsessive person will go to do something they believe in.
Tag Archives: Emma Watson
There’s a tendency to think of film as a superior medium or art form to television. To think of it as (mostly) having more integrity. While this may be true to an extent, one arena where film simply can’t compete is in subtle, measured character development. TV shows like Six Feet Under or Breaking Bad utilize their serial nature to not only develop characters within episodes, but across immense, series-long journeys. Film rarely has the ability or opportunity to challenge TV in this regard, which is what (among many, many other things) makes the Harry Potter franchise so unique. While the films have created a truly remarkable reality from the internationally-celebrated source material, it is our personal investment in the journey that matters most. Watching these characters grow together, learn, experience hardship and be heroic is a nearly unparalleled experience, and in the latest and last, Harry Potter and the Deathly Hallows: Part Two, that experience closes in an at once immensely satisfying and desperately harrowing finale.