We tell ourselves that we deserve to know everything. That we can manage the truth, however burdensome it may be. The reality is that we want to hear a great story, and if the truth is part of it than all the better. Zero Dark Thirty is eager to give us both, revealing the epic tale behind the decade-long hunt for Osama bin Laden, and uncovering just enough gory detail to establish the film’s verisimilitude without melodramatics. Director Kathryn Bigelow and Writer Mark Boal aren’t interested in the mythology of this already mythologized tale, and their composure results in a deeply enthralling story. A story about a woman who spent the better part of her life hunting a man, and the considerable toll that process took.
Tag Archives: Kathryn Bigelow
With The Hurt Locker, I ended up watching a very different film than I intended to. The plan was to sit down and enjoy a dramatic war movie with nuanced performance and subtlety; an Oscar contender. By the end though, I was watching a high suspense thriller that happens to take place in Iraq. It’s not an insignificant difference, and it was one I needed to make before I could fully appreciate what I was watching. Expectation is often the bane of a viewer’s existence, and that’s never more true than when one finally watches an Academy nominee. The film was released on June 26th and Oscar-buzz began shortly thereafter. Ever since then, our unformed opinions have been molded by everything BUT the movie itself. I hate this for a number of reasons, but mostly because it’s unavoidable. Either see it opening day, or go live in a cave. Otherwise you had better be prepared to do battle with the forces of subjective opinion, because brother, they’re a-comin.