Category Archives: Five Stars

Avatar (2009)

A glance at James Cameron‘s filmography reveals a Director mildly obsessed with doing things on an epic scale.  The only names that come to mind who might epic him out of the top spot would be Bay and Bruckheimer, and those guys don’t generally hold a lot of water with critical minds.  Cameron however seems to ride that line between over the top and elegant.  The distinction most probably lies with Cameron’s credits as a Director and a Writer.  While technology and visual magnificence hold his regard, I don’t believe they do so exclusively.  Particularly with his last few films, James Cameron has shone an eye for story that allows him to do the remarkable things he can do visually while not bombarding his audience with absurd or scoff-worthy moments.  This is not to say that Cameron isn’t melodramatic, but coupling melodrama with compelling characters, complex situations and, again, astonishing visual effects, might just be the perfect recipe for the epic of the new millennium.

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Babel (2006)

To me, where Iwo Jima is the film of an older, less progressive Hollywood, Babel is the future. It defines its own structure. It plays with time and story and relationships. In the end, you feel like you figured something out, you unlocked a truth. That is one of the most important things a film can do. Make you read the text and meet the author halfway, find his message on your own, opposed to just watching the Powerpoint.

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Pan’s Labyrinth (2006)

I think at the end of it all, what really got me was how thoroughly unprepared I was for the film as a whole. It’s infinitely darker and more violent than I thought it was going to be, but the darkness is wrapped up in this kind of overwhelming intensity that you’re hard pressed to find in violent films. By that I mean none of the violence ever felt gratuitous, or unnecessary. Further, the fantasy aspect was both beautiful and terrifying. I really don’t find myself scared too often watching a movie, but there were moments here where I was on the edge of my seat with my hand over my mouth, holding my breath. Continue reading

Children of Men (2006)

Fifteen minutes or so into the film I started thinking about stories like 1984 and Brave New World. Dystopic futures that motivate us to get some perspective on the state of the world and the state of the potential future. The film takes place 30 or 40 years in the future in a world where women can no longer have children. Everything comes into light when the human race is about to end, and obviously instead of making the necessary changes, we would fall into a massive downward spiral of fear and violence. Smart and thought provoking and very relevant.

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Brokeback Mountain (2005)

I love love stories. Some of the most genuine emotions you find onscreen come in dramatic love stories and this was a very clear example of that. I will admit that it took me a little while to separate Heath Ledger and Jake Gyllenhaal from their straightness and completely commit to believing the relationship. Once I had, everything fell into place.

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